Chotoder Sera Hasir Natok Majar Natok Bengali PDF.
Title — Chotoder Sera Hasir Natok Majar Natok,
Edited Author — Dr. Partha Pratim Panja,
Genre— Child Books, Bengali Children’s Natok Book,
File format- PDF,
PDF Size— 10 MB,
Pages- 179,
Partha Pratim Panja have been edited the Chotoder Sera Hasir Natok Majar Natok
Author Dr. Partha Pratim Panja has highlighted in his book Chotoder Sera Hasir Natok Majar Natok (best Funny Dramas and Funny Plays for Children) that children are not at all small. They also have their own world of thought, contemplation and creativity. That world is very wonderful; a world painted with thousands of colorful imaginations – where the game of change begins at the slightest touch. Aari Aari, Bhab Bhab, Katti! It is not at all easy to enter the mind of children through the lion’s gate of that fantasy world. But literature is everywhere, and so are the writers. That is why playwrights have also appeared with the golden and silver sticks of the kingdom of children’s hearts.
Rabindranath Tagore
Starting from Rabindranath Tagore himself, through Upendra Kishore, Aban Tagore, Sukumar Roy to Narayan Gangopadhyay, Shailen Ghosh, Amal Roy, the wealth of plays for children in Bengal is not at all small. Yet, there is a considerable lack of pure plays for children in our drama literature.
The best funny plays for children, a collection of funny plays, has opened an endless fountain of laughter, keeping in mind the minds and moods of children. Along with this, various kinds of funny topics and characters have been provided. Therefore, this collection of plays for children is a magical place decorated with lively laughter and fun.
The collection of plays begins with Rabindranath Tagore’s breathtaking funny plays ‘Chhater Pariyasa’ and ‘Pete o Pithe’. In this vein, the author Dr. Parthapratim Panja has chosen Upendrakishore Roychowdhury’s ‘Becharam Kenaram’, Abanindranath Tagore’s ‘Brik o Mesh Pala‘, ‘Kak o Panir Pala‘, Sukumar Ray’s ‘Lakshmaner Shaktisheel‘ and ‘Abak Jalpan‘. Even after all these years, these plays have not aged a bit, and they never will.
In Rabindranath’s play ‘Chhaterer Pariksha‘, the question is whose test is it. Rabindranath Tagore has shown in this play with great fun how even a brilliant teacher gets caught in the trap of a scorpion student. In the case of his ‘Pete o Pithe’, however, the clever boy gets caught in his own net and becomes a tortoise. The two plays are very enjoyable and funny in terms of situation creation and smart wordplay. It should be remembered that such plays are actually ‘joke plays’, following the English ‘shard’ game – where words are used in different ways. Even today, these two plays are being performed with great enthusiasm in many children’s schools.
Our childhood friend Upendrakishore Roychowdhury’s ‘Becharar Kenaram‘ has fantasy. It is like a story of what if it were like this. Only he can create such bizarre, funny and amusing situations. The scene of the thorn bush or the court is, in a word, extraordinary. Abanindranath Tagore‘s ‘Brik o Mesh Pala’ and ‘Kak o Panir Pala’ are two funny dramatic presentations of Aesop’s fables. He has added an incredible amount of humor here in writing the dialogues.
For example—
‘Briker Gajjal Gatha’ –
Birambenaram /
Agaram Bagram /
Jatrang Kuru Jatrang Kudu….’ etc.
The plays ‘Lakshmaner Shaktishell’ and ‘Abak Jalpan’ by the king of laughter Sukumar Roy are bright examples of funny and entertaining plays. In the dialogues and in the creation of situations, the playwright has actually arranged stomach aches by laughing. However, although the plays are full of laughter and fun, there is also a message of human values inside.
The most popular children’s play by the rebel poet Kazi Nazrul Islam is ‘Putuler Biye’. In this case, the writer Dr. Parthapratim Panja has edited the plays written by Nazrul in a way that is suitable for children and has added two funny and entertaining plays— ‘Kazir Bichar’ and ‘Rajputre Niti Shiksha’. He is grateful to Sirajul Islam, the editor of ‘Bulbul’ magazine, for his sincere cooperation in getting the two plays.
‘Kazir Bichar’ is based on the famous and popular Abu Hossain’s breath-taking story of laughter and ‘Rajputre Niti Shiksha’ is based on the shadow of the funny story of the fairy tale.
The heights to which Sunirmal Basu and Leela Majumder have elevated themselves as children’s writers have not been any different in writing plays for children. Therefore, their two representative children’s funny and entertaining plays, ‘Jharer Dine’ and ‘Alo’, have been added to the collection. Not only ‘Jharer Dine’, but especially the play ‘Alo’ also has a different positive message behind the laughter and fun—which is a sign of a Sunataka.
Plays for Children: A Prominent Compiler
Many children’s plays As a prominent compiler of children’s plays, Digindrachandra Bandyopadhyay, ‘Moumachi’ Bimal Ghosh, Narayan Gangopadhyay and Shailen Ghosh’s funny and interesting plays ‘Dardi’, ‘Jedin Jagbe Mukul’, ‘Bhim Badh‘ and ‘Datty Danor Chana‘ have been included in the collection, while Debnarayan Gupta’s ‘Bahurupi’ and Satyajit Ray’s ‘Gupi Gain Bagha Byin’ have been included in the collection as the favorite funny and interesting characters and stories of the children. Although these plays are funny and interesting, they have different colors and messages. While in ‘Dardi‘, human values are revealed in the form of laughter, in ‘Jedin Jagbe Mukul‘ there is strong optimism. On the other hand, in ‘Bhim Badh‘, where humor is aroused by the unusualness of the situation and dialogue, ‘Dattydanor Chhana’ is a strange fantasy. The stories of ‘Bahurupi’ and ‘Gu.ga.ba.ba’ are full of fun.
Children’s Plays: Boka Bagher Chhana
As examples of later, i.e., contemporary, children’s plays, Baidyanath Mukherjee’s ‘Sourav’, Bajranirghosh playwright Amal Roy’s ‘Shreyasi’ and ‘Boka Bagher Chhana’, a successful stage play performed in many schools and institutions of children in and outside Kolkata, and keeping in mind the most beloved fairy tales of children, ‘Rakshaser Soth Takkar’, a dramatization of a Norwegian fairy tale, have been included in this collection. Incidentally, the playwright of the last two plays is the editor himself.
Boka Bagher Chana
There is a strange fun in the character thinking of Baidyanath Mukherjee’s play ‘Sourav’. Amal Roy’s ‘Shreyasi’ gives a positive social message behind the fantasy. ‘Boka Bagher Chana‘ also has a human question amidst laughter and fun. Is the tiger cub really stupid? On the other hand, ‘Rakshaser-Sanghe-Takkar‘ is a story of the eternal battle of good and evil with the fantasy of a fairy tale.
Writer Dr. Parthapratim Panja has not limited the plays in this collection of “Chhoteder Sera – Hasir Natak, Majar Natak” to just laughter and fun, but has also conveyed a message of social and human values suitable for children.