Rabindranather Gadyakabita by Dhirananda Thakur.
Rabindranather Gadyakabita (Rabindranath’s prose-poem) written by Dhirananda Tagore, His outstanding achievement, Rabindranather Gadyakabita made a mark in Bengali literature. Because he beautifully echoes Rabindranath’s prose – poetry in this book. Therefore, his book provides outstanding and enormous response to the people of Bengal.
Author Dhirananda Tagore has compiled many poems, stories, literature. His writings – Bangla Uchcharan Kosh (Bangla Pronunciation Cell), Jagadananda Padabali, Sahityiki (literary), Manjuri, (Prose Poem) and Rabindrik, are notable.
This book discusses Rabindranath Tagore’s script, Punascha, views on prose poetry, Sesh Saptak,(Last Seven), Patraput (leaflet), Shyamli finally and the two prose poems composed by the latter. This book contains a special analysis of the first phase of Rabindranath’s prose poem and how he later converted to more advanced prose poetry. In addition to this book. The syntax and syntax are discussed analytically.
Lipika and Punascha of Rabindranath Tagore both of which are directed and summarized in different subjects in Rabindranather Gadyakabita. This book is composed of poems, languages, ornaments and environments, riverside and literary works. Rabindranath’s last prose poem Mayurer Drishti (Vision of Peacock) discusses raw mango, spinach, juvenile condition and nature.
What is Kabiras?
Whatever the beauty, decoration, style, style and gestures of the word, the words of the novel, the feeling of the novel, the feeling of novelty, which can be called the poet can be called. The prose in which the prose is composed is called prose. And the composition in which the poetry or feeling is immaterial is clear – it is called verse in a particular rhythm.
So prose-poetry and Verse-poetry are not one thing in the judgment above. The poem must be creepy, so it may be poetic or poetic, so it may not be objectionable to call it prose. But prose-poetry cannot be called Verse-poetry, because it does not have the rhyme of poetry. Prose lyrics are widespread, but prose lyrics are prominent. Therefore, relatively narrow poetry can be called a kind of free verse or free verse. However, this is not exactly a matter of justice. Although free verse is free, it is not prose. The release of prose is not his. The prose is more free than that. Not the release of prose. If that were the case, it would have been no different. The prose-poem is not completely free, as it is to some extent poetry, and there will always be some rhythm to the poem. If not, he has no opportunity to speak poetry. Again it is not a bond of the whole poem, it is a hindrance to utter poetry. A possible combination of prose is the release of prose and the bond of substance. It is true that not all poetry binds are created equal. It is free to the extent that its binding is relaxed. The poem that does not fit, must be somewhat free. So that there is no ending and it is a bit more free to support the episode number in the retrain-mission. So that there is no equilibrium, there is no equality of episodes at every stage;
The urge to scarcity, the motivation for the need, or the desire for mere pleasure, have given rise to the desire to discover new things, whether things or thoughts. Keeping up his enthusiasm and creative endeavor to keep up. It may be that the physical and mental nature has made people aware of that lack, need and joy. Whatever it is, there is a need, a need, a need and a joy, and, for them, a desire to discover and create new things. That’s a big gain.
For these, the creation of the art of the people has also appeared in the novel or the novel. Once upon a time, there was a new need or need to fulfill whatever thought was needed. In this way, there has been unpleasantness in the way or manner of illumination.
He is new and needs to find a new way to satisfy his or find a new way to find happiness. In a new way, he has been exposed to the good, otherwise the old deformity has to be satisfied in the same way or more in the same way, the feeling is not in the human form.
As a result of this process of human nature, the attitudes and forms of literature are changing in the ages, from country to country. Because of the entities of the human soul and of the touching world of the external forms, the vitality and self-awareness that awakened the human mind became so volatile and progressive that it could not be sustained without expressing it outward.
So gradually the language was created in some instances in the conscious pursuit of the felt and informed feelings of the people. When the means of publishing became one, how could he be made better? His efforts continued to diminish, so the evolution of language began to develop at a level of this evolution.
The language that is the vehicle of expression of the human heart is therefore prose. When the prose language, which seemed to be colored in the loop, was used for regular use, it seemed that the mind was filled with prose, especially the vibrant, diverse and joyful. As a result, she is eager, eager to discover new forms of language. The rhythmic language has emerged. Creation is material, poetry.
In this way, prose-poetry was born in the literary world on the basis of the variety of people’s needs and exchanges.
Therefore, Rabindra Bhavana has been discussed in detail in this book, the literature has been tried to beautifully illustrated.
Hopefully readers will find pleasure in reading this book, Rabindranather Gadyakabita, and in this book you will find the exact outline of how literary thinking and literary juice, prose and poetry or Padma-Poetry have gradually turned into prose-poetry.
We are collecting for the purpose of knowing and learning about Bengali literature and collecting our literary collectors for the invaluable and literary aspects of literature. Efforts have been made to find lost valuable literary resources and authors from the books and libraries of different countries.
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