Abanindra Rachanabali Vol-3 by Abanindranath Tagore: An Unbound Collection of Selected Works PDF.
Title — Abanindra Rachanabali Vol-3 (Unbound Collection of Selected Works),
Author— Abanindranath Tagore,
Genre — Collection Books, Children Book,
Format— PDF, Size —18MB, Pages—654,
Abanindra Rachanabali Vol-3 by Abanindranath Tagore — The Child Who Dreamed in Color and Words
‘Abanindra Rachanabali Vol-3‘ is an unbound collection of selected works by Abanindranath Tagore, known for his contributions to modern Indian art and children’s literature. This specific volume was originally published in 1958 and is part of a larger compilation of his writings and artwork. The third volume of Abanindra Rachanabali contains a variety of his creative output, which was primarily in Bengali.
Abanindranath Tagore is a revered tradition in the history of Bengali language and culture. ‘Abanindra Rachanabali – Volume Three’ has published many of his children’s literary works. Moreover, the works he wrote separately for children have also been published in this third volume. This collection of selected works by Abanindranath, a unique writer in Bengali children’s literature, has been edited by the revered poet Shankha Ghosh. Moreover, the venerable Milada Gangopadhyay, Pulinbihari Sen, Mohanlal Gangopadhyay, Shri Shobhanlal Gangopadhyay, Shri Sanat Kumar Gupta, Shri Rana Bose and Shri Subimal Lahiri have helped in various ways since the beginning of the compilation of this third volume collection.
The Legacy of an Ever-Young Mind
What makes Abanindranath Tagore’s work endure through generations is not merely the beauty of his language or the imagination of his plots — it is his spirit. His writings are filled with jibon-er rong — the colors of life — that touch the universal child within us all. Whether in his dreamy fairy tales or in his quiet reflections on storytelling, his world is one where curiosity never fades and wonder never dies.
He once said that modern society was losing touch with its “child world.” The old storytellers — the grandmothers and grandfathers who once made evenings magical — were falling silent. In their place came printed books, imported tales, and mechanical learning. Abanindranath did not reject modernity, but he feared a world that no longer listened. His plea was simple yet profound: before we teach, let us first listen to the child. Before we write, let us learn to play.
This philosophy gives his writing a timeless quality. Rajkahini may be set in a mythic past, Khirer Putul may seem a fairy tale, but the emotions they carry — longing, love, mischief, courage — are universal. His characters, even when born from legend, live and breathe like real children and dreamers.
Between Art and Literature
It is impossible to separate his pen from his brush. His imagination was deeply visual; he saw words as forms and forms as words. Every scene in his stories feels like a painting come alive — the gentle moonlight, the rustling of trees, the laughter of children, the trembling of candlelight in old houses.
When he painted Bharat Mata, he gave a face to the spirit of the nation. When he wrote Khirer Putul, he gave a voice to the heart of the child. In both, he worked with the same tools — simplicity, sincerity, and spirituality.
Abanindranath Tagore’s approach to children’s literature was therefore an artistic act — not didactic, not moralistic, but aesthetic. He invited children to see the world anew, to imagine beyond boundaries. He believed that art and literature together could cultivate a finer sensibility — one that values gentleness, empathy, and creativity over mere information.
The Modern Relevance of Abanindranath Tagore
In the 21st century, when children’s worlds are increasingly dominated by screens and algorithms, Abanindranath Tagore’s writings feel almost prophetic. He had warned that children might grow up too fast, losing their sense of wonder in the rush of “scientific” or “market-driven” childhoods. His words echo even louder today, when attention spans shrink and imagination struggles to breathe.
The Best of All Time stands as a reminder that genuine children’s literature cannot be manufactured; it must be lived and felt. It demands tenderness, patience, and intimacy — qualities Abanindranath possessed in abundance.
For educators and writers today, he remains a guiding light. He showed that storytelling is not a tool of instruction but a form of art, capable of shaping hearts as much as minds. To write for children, one must not simply remember childhood — one must return to it, live inside it, and see the world once again through its innocent eyes.
The Eternal Dialogue
Perhaps the most moving aspect of Abanindranath’s legacy is his eternal dialogue with his readers — both children and adults. In every story, he seems to whisper:
“Come, let us play again. Let us listen to tales that breathe, let us paint with words, let us dream without fear.”
His stories bridge the gap between ages, reminding grown-ups of the child they once were and teaching children to cherish their imagination.
Even his humor carries wisdom. His nonsense rhymes, such as the Hidimba song — “Nagh jhamajham jham kidi / Bhaji khabo kirimiri” — are full of rhythm and play, yet they reveal a deep understanding of sound, structure, and the musicality of Bengali itself.
Through such linguistic artistry, he transformed Bengali children’s literature from a moral playground into a living art form.
Beyond Time — The “Chirokal” in Chirokaler Sera
To call Abanindranath “The Best of All Time” is to recognize that his art belongs not to a specific era but to all time. “Chirokal” — eternity — in Bengali carries both memory and hope. It means that what is true, tender, and beautiful never dies; it simply changes form, passing from one heart to another.
In this sense, Abanindranath’s legacy is not confined to the past. Every time a parent tells Khirer Putul to a child, every time a reader smiles at the line “Kar bari? Thakur bari. Kon Thakur? Abin Thakur,” he lives again.
He continues to remind us that childhood is not something we outgrow — it is something we carry. And as long as stories are told with love, the child within us will never fade.
Final Words
Abanindranath Tagore’s genius lay not only in his artistry but in his humanity. He saw beauty in simplicity, depth in play, and spirituality in imagination. He built bridges between art and storytelling, between the child’s world and the adult’s wisdom, between the seen and the unseen.
In a letter-like reflection, he once wrote:
“What is not there, what cannot be forced, let it be — I rest in peace. I have grown old. Yet within me, the child still dreams.”
That dream — of a world full of wonder, laughter, and light — continues to shine through his writings.
And that is why, as long as stories exist, Abanindranath Tagore will remain “The Best of All Time” — the best for all time, in every heart that still believes in magic.
Download the unbound collection of selected works by Abanindranath Tagore: Abanindra Rachanabali Vol-3 (অবনীন্দ্র রচনাবলী – তৃতীয় খণ্ড) PDF
We believe that Abanindranath Tagore’s writings still fascinate not only the young but also the adults. Our small effort is to deliver the collection of his ‘Abanindra Rachanabali – Volume 3‘ to those eternal readers.
Therefore, the download link for the PDF of the collection ‘Abanindra Rachanabali – Part III‘ is given below this webpage. Our small effort will be successful if the readers like it. Readers can download it from the link given below, and if you want, you can also read it online.
Download Abanindra Rachanabali – Volume-3 PDF digital version
Abanindra Rachanabali Vol-3 unbound Collection book for children PDF
